{"title":"G. Henle Verlag","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eG. Henle Publishers stands for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.henle.de\/en\/shop\/urtext-editions\/what-is-urtext\/\"\u003eUrtext\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esheet music of the highest quality. Musicians around the world, both amateurs and professionals, can fully rely on our sheet music of what is called “classical music”. Our Urtext editions not only provide the undistorted, authoritative musical text but are also aesthetically pleasing, optimised for practical use and extremely durable. And then there is the strong, distinctive blue profile: (almost) all of our Urtext editions are bound in the characteristic blue cardboard.\u003c\/p\u003e","products":[{"product_id":"brahms-sonata-in-e-minor-op-38-for-cello-and-piano-henle","title":"Brahms, Sonata in E Minor Op. 38 for Cello and Piano (Henle)","description":"\u003cp\u003eSonata for Piano and Violoncello E minor op. 38 by Johannes Brahms (1833-1897). Edited by Hans Munch-holland. For Cello, Piano. Violoncello. Henle Music Folios. Urtext edition-paper bound. Classical Period. Single piece and set of performance parts. Fingerings and bowings. 36 pages. G. Henle #HN18. Published by G. Henle. \u003cbr\u003eSonata for Piano and Violoncello E minor op. 38 by Johannes Brahms (1833-1897).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSyllabus Information:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAMEB Certificate of Performance List B\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAMEB Cello Associate List C\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":13017282183262,"sku":"HN1134","price":55.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Brahms-Sonata-in-E-Minor-Op_-38-for-Cello-and-Piano-Henle.jpg?v=1650540758"},{"product_id":"haydn-concerto-in-d-for-cello-and-piano-henle","title":"Haydn, Concerto No. 2 in D for Cello and Piano (Henle)","description":"\u003cp\u003eConcerto for Violoncello and Orchestra D major Hob. VIIb: 2 (with Cadenzas). By Franz Joseph Haydn (1732-1809). Edited by S. Gerlach and Sonja Gerlach. For Cello, Piano. Violoncello. Henle Music Folios. Piano Reduction-paper bound. Classical. Single piece and set of parts. Introductory text, bowings and fingerings. 46 pages. G. Henle #HN418. Published by G. Henle. \u003cbr\u003eConcerto for Violoncello and Orchestra D major Hob. VIIb: 2 (with Cadenzas). By Franz Joseph Haydn (1732-1809).\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Cello Associate List B\u003c\/li\u003e\n\u003cli\u003eAMEB Cello Licentiate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":13017433735262,"sku":"HN418","price":57.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Haydn-Concerto-No_-2-in-D-for-Cello-and-Piano-Henle.jpg?v=1650541426"},{"product_id":"beethoven-romances-for-violin-and-piano-henle","title":"Beethoven, Two Romances Op. 40 and Op. 50 for Violin and Piano (Henle)","description":"\u003cp\u003eRomances for Violin and Orchestra Op. 40 \u0026amp; 50 in G and F Major. (Violin and Piano). By Ludwig van Beethoven (1770-1827). For Violin, Piano Accompaniment. Violin. Henle Music.\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 8 List C \u003c\/li\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":13017201377374,"sku":"HN324","price":46.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Beethoven-Two-Romances-Op_-40-and-Op_-50-for-Violin-and-Piano-Henle.jpg?v=1650541733"},{"product_id":"schubert-3-sonatinas-for-violin-and-piano-henle","title":"Schubert, 3 Sonatinas for Violin and Piano (Henle)","description":"\u003cp\u003eAn authoritative Urtext edition of Franz Schubert's Sonatinas for Piano and Violin Op. post.137, as edited by Gunter Henle and KarL Rohrig.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonatina In A Minor D.385 \u003c\/li\u003e\n\u003cli\u003eSonatina In D D.384 \u003c\/li\u003e\n\u003cli\u003eSonatina In G Minor D.408\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 4 List C\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Grade 6 List C\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eAMEB Violin Grade 8 List C\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":13017265045598,"sku":"HN006","price":74.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Schubert-3-Sonatinas-for-Violin-and-Piano-Henle_6a4a526b-23b6-4cfc-aefc-8b5bae32fc1c.jpg?v=1636097134"},{"product_id":"beethoven-sonatas-for-violin-and-piano-vl-1-henle","title":"Beethoven, Sonatas for Violin and Piano Volume 1 (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLudwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work. What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven’s original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer. Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven’s violin sonatas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eViolin Sonata D major op. 12,1\u003c\/p\u003e\n\u003cul class=\"content-item\" data-item=\"1\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata A major op. 12,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata E flat major op. 12,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata a minor op. 23\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Spring Sonata) F major op. 24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNo composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 7 List C \u003c\/li\u003e\n\u003cli\u003eAMEB Violin Grade 8 List C \u003c\/li\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List C\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Associate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":13017563922526,"sku":"HN007","price":134.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Beethoven-Sonatas-for-Violin-and-Piano-Volume-1-Henle_a8e090eb-d4a7-4498-a14f-ebbcf8080e1f.jpg?v=1636100014"},{"product_id":"haydn-concerto-in-c-for-cello-and-piano-henle","title":"Haydn, Concerto No. 1 in C for Cello and Piano (Henle)","description":"\u003cp\u003eConcerto for Violoncello and Orchestra C major Hob. VIIb: 1 (Cello and Piano). By Franz Joseph Haydn (1732-1809). Edited by S. Gerlach and Sonja Gerlach. For Cello, Piano. Violoncello. Henle Music Folios. Piano Reduction-paper bound. Set of parts. Introductory text, bowings and fingerings. 46 pages. G. Henle #HN417. Published by G. Henle.\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":13017579389022,"sku":"HN417","price":57.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Haydn-Concerto-No_-1-in-C-for-Cello-and-Piano-Henle.jpg?v=1650542652"},{"product_id":"haydn-concerto-in-a-major-for-violin-henle","title":"Haydn, Concerto in A No. 3 for Violin and Piano (Henle)","description":"\u003cp\u003eGünter Thomas \u003cspan class=\"role\"\u003e(Editor), \u003c\/span\u003eHeinz Lohmann \u003cspan class=\"role\"\u003e(Editor), \u003c\/span\u003eStefan Zorzor \u003cspan class=\"role\"\u003e(Piano reduction), \u003c\/span\u003eKurt Guntner \u003cspan class=\"role\"\u003e(Fingering and bowing for Violin), \u003c\/span\u003eFranz Beyer \u003cspan class=\"role\"\u003e(Cadenza).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUrtext Edition, Piano reduction, paperbound with marked and unmarked string parts. Pages 60 (IV+27+13+16), Size 23.5 x 31.0 cm.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 8 List B \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":28407473963102,"sku":"HN447","price":61.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Haydn-Concerto-in-A-No_-3-for-Violin-and-Piano-Henle.jpg?v=1650545473"},{"product_id":"brahms-sonatas-for-violin-and-piano-henle","title":"Brahms, Sonatas for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohannes Brahms began to manifest a keen interest in the genre of the violin sonata at an early age. In fall 1853 he offered the Leipzig publisher a violin sonata in a minor. The work was turned down, however, and the self-critical Brahms must have destroyed it himself later. He ultimately wrote his three major sonatas during his years of maturity: op. 78 in the summers of 1878\/79, opp. 100 and 108 in the summer of 1886.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Scherzo in c minor was Brahms’ contribution to the violin sonata which he composed jointly with Robert Schumann and Albert Dietrich in 1853 as a surprise gift for the violinist Joseph Joachim, and which is known under the name “F. A. E. Sonata.” With its sharp contrasts between the furious Allegro and emotional Più moderato sections, the Scherzo piece is a beloved bravura showcase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata G major op. 78\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata A major op. 100\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata d minor op. 108\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eScherzo c minor WoO 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eHans O. Hiekel\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Editor)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eHans-Martin Theopold\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Fingering)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eKarl Röhrig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Fingering and bowing for Violin)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eJohannes Brahms was a German composer and pianist of the Romantic period, but he was more a disciple of the Classical tradition. He wrote in many genres, including symphonies, concerti, chamber music, piano works, and choral compositions, many of which reveal the influence of folk music.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Certificate of Performance List C\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Associate List C\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Licentiate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405525999710,"sku":"HN1566","price":123.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Brahms-Sonatas-for-Violin-and-Piano-Henle_5eede3f4-3254-4bfd-86d1-0fe2ba793dd6.jpg?v=1636118192"},{"product_id":"bach-j-s-six-sonatas-and-partitas-for-violin-henle","title":"Bach, J.S., Three Sonatas And Three Partitas BWV 1001-1006 for Violin (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBach’s six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones of musical literature. Bach skillfully employs the resources of the violin to produce genuine polyphony in some sections through the use of arpeggiated chords and double stops. The culmination of these achievements is the famous Chaconne from the second Partita, which achieves great musical density while presenting the violinist with previously unheard-of technical challenges. The part marked by Wolfgang Schneiderhahn accommodates practical use and includes suggestions for accords and arpeggios.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eContents: \u003c\/p\u003e\n\u003cul data-item=\"14\" class=\"content-item headline\"\u003e\n\u003cli class=\"column-title\"\u003eSonata I g minor BWV 1001\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePartita I b minor BWV 1002\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSonata II a minor BWV 1003\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePartita II d minor BWV 1004\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eSonata III C major BWV 1005\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003ePartita III E major BWV 1006\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eJohann Sebastian Bach, composer of the Baroque era, the most celebrated member of a large family of north German musicians. Although he was admired by his contemporaries primarily as an outstanding harpsichordist, organist, and expert on organ building, Bach is now generally regarded as one of the greatest composers of all time and is celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, and numerous other masterpieces of church and instrumental music.\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 5 List B \u003c\/li\u003e\n\u003cli\u003eAMEB Violin Grade 7 List B\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Grade 8 List B \u003c\/li\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List A\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Associate List A\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Licentiate List A\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405529899102,"sku":"HN356","price":91.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Bach-J_S_-Three-Sonatas-And-Three-Partitas-BWV-1001-1006-for-Violin-Henle.jpg?v=1650547722"},{"product_id":"bach-concerto-in-a-minor-for-violin-1","title":"Bach, J.S., Concerto in A Minor BWV 1041 for Violin and Piano (Henle)","description":"\u003cp\u003eFor the editor of an Urtext edition, Bach’s A minor violin concerto BWV 1041 presents few problems; cleanly-written original parts exist from Bach’s Köthen (or early Leipzig) period. But beyond the guarantee of a reliable musical text, the Henle edition scores points in terms of text layout; thanks to a foldout solo part, turning pages is made comfortable, something that was previously a challenge because of the literally non-stop, continuous sixteenth notes in the opening movement. Other publishers have since copied this idea. Only the piano reduction from Henle – in all three of Bach’s violin concertos – can be effortlessly performed off the page, even by the lay musician.\u003cbr\u003e\u003cbr\u003eHans Eppstein \u003cspan class=\"role\"\u003e(Editor)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJohannes Umbreit \u003cspan class=\"role\"\u003e(Piano reduction)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKurt Guntner \u003cspan class=\"role\"\u003e(Fingering and bowing for Violin)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUrtext Edition, Piano reduction, paperbound\u003c\/p\u003e\n\u003cp\u003ewith marked and unmarked string parts\u003c\/p\u003e\n\u003cp\u003ePages 42 (III+19+10+10), Size 23,5 x 31,0 cm\u003c\/p\u003e\n\u003cp\u003eWeight 208 g\u003c\/p\u003e\n\u003cp\u003eHN671 \u003cspan class=\"delimiter\"\u003e·\u003c\/span\u003e ISMN 9790201806716\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eJohann Sebastian Bach\u003c\/h3\u003e\n\u003cp\u003eFor many musicians he is “the Alpha and Omega of all music” (Max Reger). Except for operas, Bach composed masterpieces for every ensemble and genre of his age. His catalogue of works contains almost 1,100 entries, including the great Passions of St. Matthew and St. Johan, the Goldberg Variations, the Brandenburg Concerti, or hundreds of singular cantatas. As organist in Mühlhausen and Weimar he creates primarily organ compositions, concerti, and works of chamber music. Later, as music director in Köthen and for the decades he serves as cantor in Leipzig, he composes chiefly sacred vocal compositions and keyboard works. His later, contrapuntally complex compositions exert an enormous influence on the compositional styles and practices of later generations.\u003c\/p\u003e\n\u003ctable class=\"table table-piped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1685\u003c\/td\u003e\n\u003ctd\u003eBorn in Eisenach on March 21, the son of conductor and court musician Johann Ambrosius Bach.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1693–95\u003c\/td\u003e\n\u003ctd\u003eHe attends the Latin school in Eisenach.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1695–1700\u003c\/td\u003e\n\u003ctd\u003eEnrolls at the lyceum in Ohrdruf, where he will live with his eldest brother, Johann Christoph, after the death of his parents; among other things, organist, and pupil of Pachelbel.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003efrom 1700\u003c\/td\u003e\n\u003ctd\u003eMember of the Lüneburg matins choir. Travels to Hamburg to hear Reincken at the organ.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1703\u003c\/td\u003e\n\u003ctd\u003eAppointment in Weimar for two quarters of a year (at the home of Duke Johann Ernst the elder).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1703–07\u003c\/td\u003e\n\u003ctd\u003eOrganist in Arnstadt. Composition of organ works, possibly early preludes and fugues BWV 531, 549a, 575; chorales from the Neumeister Collection BWV 1090–95, 1097–1120; chorale partitas BWV 766–68, 770.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1705\u003c\/td\u003e\n\u003ctd\u003eJourney to Buxtehude in Lübeck.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1707–08\u003c\/td\u003e\n\u003ctd\u003eAppointment as organist at St. Blasius in Mühlhausen. Composition of his first cantatas (BWV 71 and 131, likely also BWV 4, 106, 150, 196).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1708–17\u003c\/td\u003e\n\u003ctd\u003eAppointment in Weimar as organist to Duke Wilhelm Ernst of Saxe-Weimar; composition of the Little Organ Book, BWV 599–644; of preludes (toccatas, fantasias) and fugues (probably BWV 894, 903, 944, 910–916); the Passacaglia in C minor, BWV 582; the Pièce d’Orgue in G major, BWV 572; organ transcriptions of instrumental concerti including Vivaldi’s “L’Estro Armonico.” From 1714 concertmaster, composer of cantatas.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1710\u003c\/td\u003e\n\u003ctd\u003eBirth of Wilhelm Friedemann Bach.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1714\u003c\/td\u003e\n\u003ctd\u003eBirth of Carl Philipp Emanuel Bach.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003earound 1713\u003c\/td\u003e\n\u003ctd\u003ePremiere in Weissenfels of the cantata “Was mir behagt, ist nur die muntre Jagd!”, BWV 208.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1717–23\u003c\/td\u003e\n\u003ctd\u003eAppointed “Court Kapellmeister and Director of the royal chamber music” in Köthen to Prince Leopold von Anhalt-Köthen. He mainly composes keyboard music (completes the English Suites, BWV 806–811; begins the French Suites, BWV 812–817 around 1722; the “Clavier-Büchlein vor Wilhelm Friedemann Bach” from 1720; the “The Well-Tempered Clavier,” Book 1, in 1722; the first notebook for Anna Magdalena Bach from 1722; Inventions and Sinfonias for keyboard, BWV 772–801, in 1723), chamber music (Sonatas and Partitas for solo violin, BWV 1001–1006, in 1720), concerti (Brandenburg Concerti, BWV 1046–1051, dedicated to the Margrave of Brandenburg, in 1721); a few secular cantatas (including BWV 134a, 173a).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1723–50\u003c\/td\u003e\n\u003ctd\u003eCantor at St. Thomas Church in Leipzig.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1723–29\u003c\/td\u003e\n\u003ctd\u003eFirst Leipzig period, primarily defined by liturgical compositions.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1723\/24\u003c\/td\u003e\n\u003ctd\u003eFirst year’s cycle of cantatas: integration of existing cantatas from his time in Weimar and Köthen; parody techniques, that is, replacing the texts of the cantatas for new purposes.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1724\u003c\/td\u003e\n\u003ctd\u003ePerformance of the St. John Passion, BWV 245, and the Magnificat, BWV 243a.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1724\/25\u003c\/td\u003e\n\u003ctd\u003eSecond year’s cycle of cantatas, with new compositions.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1726\u003c\/td\u003e\n\u003ctd\u003ePublication of the first Partita from the later Clavier-Übung (Keyboard Practice), BWV 825–830.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1727\u003c\/td\u003e\n\u003ctd\u003ePerformance of the St. Matthew Passion, BWV 244.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1729–39\u003c\/td\u003e\n\u003ctd\u003eSecond Leipzig period, informed by his direction of the Collegium Musicum, which Telemann had founded (1729–37 and 1739 until at least 1741), and thus by the composition of instrumental works as well as of large-scale vocal works.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003earound 1730\u003c\/td\u003e\n\u003ctd\u003eSix Trio Sonatas for Organ (BWV 525–530), important preludes and fugues (B minor, BWV 544; C major, BWV 547; E minor, BWV 548).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003efrom\/around 1730\u003c\/td\u003e\n\u003ctd\u003eEstablishment of a new type of concerto with his concertos for 1–4 harpsichords (which are almost all transcriptions of concerti with solo melodic instruments). Further compositions for instrumental ensembles.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1731\u003c\/td\u003e\n\u003ctd\u003ePerformance of the St. Mark Passion, BWV 247 (lost). Journey to Dresden for the performance of an opera by Hasse. Clavier-Übung I, BWV 825–830.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1733\u003c\/td\u003e\n\u003ctd\u003eComposition of a Lutheran mass (Kyrie and Gloria), whose movements are later included in the Mass in B minor, BWV 232; with it he requests a court position from Elector Frederick Augustus II in Dresden.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1734\/35\u003c\/td\u003e\n\u003ctd\u003ePremiere of the Christmas Oratorio, BWV 248.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1735\u003c\/td\u003e\n\u003ctd\u003eAscension Oratorio, BWV 11. Birth of Johann Christian Bach. Clavier-Übung II, BWV 971, 831.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1736\u003c\/td\u003e\n\u003ctd\u003eTitle of Electoral Saxon Court Composer from Frederick Augustus II.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003earound 1738\/39\u003c\/td\u003e\n\u003ctd\u003eFour Lutheran masses, BWV 233–236.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1739–50\u003c\/td\u003e\n\u003ctd\u003eThird Leipzig period, characterized by compositions of his late phase featuring stile antico and complicated contrapuntal techniques. Climax of Bach’s keyboard output.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1739\u003c\/td\u003e\n\u003ctd\u003eClavier-Übung III, BWV 802–805.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1741\u003c\/td\u003e\n\u003ctd\u003eClavier-Übung IV, BWV 988 (Goldberg Variations).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1739\/42\u003c\/td\u003e\n\u003ctd\u003e“The Well-Tempered Clavier,” Book Two, BWV 870–893.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1747\u003c\/td\u003e\n\u003ctd\u003eJourney to Potsdam, where he improvises a fugue on a theme by the king, from which emerges “The Musical Offering,” BWV 1079. Member of the Correspondence Society of Musical Sciences; submission of the Canonic Variations on “Vom Himmel hoch, da komm ich her,” BWV 988, for membership. Schübler Chorales, BWV 645–650.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1749\u003c\/td\u003e\n\u003ctd\u003eCompletion of the Mass in B minor, which is largely based on earlier compositions that were revised and amended.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1750\u003c\/td\u003e\n\u003ctd\u003e“The Art of the Fugue,” which remains unfinished. Death in Leipzig on July 28.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405531668574,"sku":"HN671","price":61.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Bach-J_S_-Concerto-in-A-Minor-BWV-1041-for-Violin-and-Piano-Henle.jpg?v=1650547777"},{"product_id":"chausson-poeme-for-violin-henle","title":"Chausson, Poeme Op. 25 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on a novella by the Russian novelist Ivan Turgenev, Ernest Chausson's Poème for violin and orchestra was originally conceived as a symphonic poem. Gradually, it evolved into a character piece with violin solo, or, to quote the composer, \"a piece in very free form with many passages where the violin plays alone.\" That Chausson’s plan came off to perfection is proved by the work’s ever-growing popularity. The solo part of this Henle volume satisfies the most rigorous criteria of an urtext edition. The piano reduction places a premium on playability and lies better under the fingers than ever before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Licentiate List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405806035038,"sku":"HN738","price":46.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Chausson-Poeme-Op_-25-for-Violin-and-Piano-Henle.jpg?v=1650547852"},{"product_id":"bach-3-sonatas-for-violin-henle","title":"Bach, J.S., 3 Sonatas BWV 1020-1023 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese three separately transmitted sonatas hide some attribution problems. BWV 1020 (the Sonata in g minor) is quite possibly by Bach’s son Carl Philipp Emanuel, and today is mostly played on the flute even though the sources assign it to the violin. It is interesting, however, that d1 is the lowest melodic note in the piece, which might mean that it is a flute arrangement of a violin sonata. The other two sonatas also stand on an uncertain footing in regard to their sources. On the other hand, their elegant slow movements are crafted with a melodic mastery such as is often found in Johann Sebastian Bach’s music. As long as there is no definitive evidence for attribution to another composer, we shall continue to respect the traditional attribution to “Father” Bach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata G major BWV 1021\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata e minor BWV 1023\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eAppendix: Sonata (with Piano obbligato) g minor BWV 1020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eJohann Sebastian Bach, composer of the Baroque era, the most celebrated member of a large family of north German musicians. Although he was admired by his contemporaries primarily as an outstanding harpsichordist, organist, and expert on organ building, Bach is now generally regarded as one of the greatest composers of all time and is celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, and numerous other masterpieces of church and instrumental music.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Grade 8 List B \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405534945374,"sku":"HN458","price":83.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Bach-J_S_-3-Sonatas-BWV-1020-1023-for-Violin-and-Piano-Henle.jpg?v=1650547880"},{"product_id":"brahms-concerto-in-d-major-op-77-for-violin-and-piano-henle","title":"Brahms, Concerto in D Op. 77 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrahms’ only violin concerto was given a very warm reception by his contemporaries and has been an important piece in the violin repertoire ever since. It bears witness to Brahms’ fruitful collaboration with Joseph Joachim, who contributed a cadenza. The composer’s original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms Complete Edition. The appendix also contains an alternative version of Joachim’s cadenza that to date has not been published in a practical edition. Alongside Joachim’s original fingerings and bowings there are also fingering suggestions by Frank Peter Zimmermann.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eHis significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJohannes Brahms was a German composer and pianist of the Romantic period, but he was more a disciple of the Classical tradition. He wrote in many genres, including symphonies, concerti, chamber music, piano works, and choral compositions, many of which reveal the influence of folk music.\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405806166110,"sku":"HN818","price":85.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Brahms-Concerto-in-D-Op_-77-for-Violin-and-Piano-Henle.jpg?v=1650547890"},{"product_id":"glazunov-elegie-for-viola-belaieff","title":"Glazunov, Elegie Op. 44 for Viola and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA precious gem of romantic viola literature is now available in Henle quality! Thanks to the publisher’s good connections to Russian archives, we were able to assess Glazunov’s autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Élégie is one of the few original works of the 19th century for viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Élégie is ideally suited for teaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.\u003c\/span\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405537075294,"sku":"HN1241","price":35.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Glazunov-Elegie-Op_-44-for-Viola-and-Piano-Henle.jpg?v=1650547900"},{"product_id":"bruch-romance-op-85-for-viola-henle","title":"Bruch, Romance in F Op. 85 for Viola and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA pearl in the romantic repertoire for viola and orchestra! Bruch’s “Romance” has long occupied a permanent place in the viola repertoire, whether in lessons or on the concert stage. Our edition is the first to take every relevant source into account. Like the original print, it also presents the composer’s own easily playable piano reduction. As in many other viola works in our catalogue, fingering and bowing marks have been added by experienced violist Jürgen Weber. In 1911 Bruch also published an arrangement for violin and piano in parallel with his original version for viola. Our new edition makes his arrangement available once again after a lapse of many years. A welcome addition to the viola repertoire!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Viola Associate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405538549854,"sku":"HN785","price":35.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Bruch-Romance-in-F-Op_-85-for-Viola-and-Piano-Henle.jpg?v=1650547949"},{"product_id":"dvorak-rondo-for-cello-henle","title":"Dvorak, Rondo Op. 94 for Cello and Piano (Henle)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough only a minor pendant to the great Cello Concerto, Antonín Dvorák‘s Rondo op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorák composed it in December 1891 shortly before leaving for America, and he gave the work its première performance on 3 January 1892 with his friend, the cellist Hanus Wihan, during his farewell concert tour. To produce this urtext edition Milan Pospísil consulted the autograph score and first edition not only for the piano version, but also for the orchestral version of October 1893.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.henle.de\/en\/about-us\/contributors\/milan-pospisil\/\"\u003eMilan Pospísil\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Editor)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKlaus Schilde\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReiner Ginzel\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Fingering and bowing for Violoncello)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSyllabus Information:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAMEB Cello Associate List C\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405569843294,"sku":"HN698","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Dvorak-Rondo-Op_-94-for-Cello-and-Piano-Henle.jpg?v=1650548303"},{"product_id":"bach-j-s-concerto-no-2-in-e-bwv-1042-for-violin-and-piano-henle","title":"Bach, J.S., Concerto in E BWV 1042 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBach’s E major Violin Concerto has survived solely in the form of a copy, but in view of its significant compositional substance, and of Bach’s arrangement (which has come down to us as an autograph) for harpsichord and orchestra, the work’s authenticity is beyond question. The highly expressive violin melody in the second movement speaks for itself: the harpsichord version cannot provide a real replacement for it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJohann Sebastian Bach, composer of the Baroque era, the most celebrated member of a large family of north German musicians. Although he was admired by his contemporaries primarily as an outstanding harpsichordist, organist, and expert on organ building, Bach is now generally regarded as one of the greatest composers of all time and is celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, and numerous other masterpieces of church and instrumental music.\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List B\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Associate List A\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405591076958,"sku":"HN670","price":57.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Bach-J_S_-Concerto-in-E-BWV-1042-for-Violin-and-Piano-Henle.jpg?v=1650548391"},{"product_id":"beethoven-sonatas-for-violin-and-piano-volume-2-henle","title":"Beethoven, Sonatas for Violin and Piano Volume 2 (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLudwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work. What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven’s original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer. Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven’s violin sonatas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata A major op. 30,1\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata c minor op. 30,2\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata G major op. 30,3\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata (Kreutzer Sonata) A major op. 47\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata G major op. 96\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNo composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Licentiate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405593010270,"sku":"HN008","price":142.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Beethoven-Sonatas-for-Violin-and-Piano-Volume-2-Henle_143968e0-daf7-4f20-8bea-0daa9980a6a1.jpg?v=1636120307"},{"product_id":"haydn-concerto-in-g-for-violin-and-piano-henle","title":"Haydn, Concerto in G No. 2 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThree violin concertos by Joseph Haydn survive, of which the ones in C major and A major were written at the court of Prince Esterhazy. The violin concerto in G major Hob. Vll:4 was probably composed in the early 1760s, before his appointment by the prince. It thus comes as no surprise that it is very different from the other two concertos; the solo violin part hardly goes beyond the third position, and the focus is more on lyricism than virtuosity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor (younger) violin learners the work thus offers a good opportunity to engage with Haydn the composer for the first time. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verlag. The extensive preface includes a discussion of authenticity, among other things. The edition is rounded off by sophisticated string bowing and fingerings by Kurt Guntner, along with cadenzas created by Franz Beyer.\u003c\/span\u003e\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405593141342,"sku":"HN448","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Haydn-Concerto-in-G-No_-2-for-Violin-and-Piano-Henle.jpg?v=1650548421"},{"product_id":"hummel-potpourri-for-viola-henle","title":"Hummel, Potpourri Fantasy Op. 94 for Viola and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHummels “Potpourri” for Viola and Orchestra op. 94 is part of every viola player’s core re­pertoire, especially in its shortened version, the “Fantasy”. Sprinkled with quotes from operas by Mozart and Rossini and framed by spirited, newly composed passages, the “Potpourri” fills a gap in the small repertoire of the classical-early romantic period. Tabea Zimmermann has drawn upon her extensive experience in providing fingerings and bowings for the solo part. And it goes without saying that the “Fantasy” version can also be played using our edition.\u003c\/span\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405807214686,"sku":"HN838","price":96.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Hummel-Potpourri-Fantasy-Op_-94-for-Viola-and-Piano-Henle.jpg?v=1650548428"},{"product_id":"hoffmeister-concerto-in-d-major-for-viola-and-piano","title":"Hoffmeister, Concerto in D for Viola and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlong with the Stamitz concerto, Hoffmeister‘s Viola Concerto is the most important audition piece for viola players. Yet, it has been handed down in a complicated source tradition, surviving in a single contemporary manuscript covered with many layers of markings. Our piano reduction reconstructs, for the first time, the earliest textual layer in this source, thereby coming as close as possible to Hoffmeister‘s actual intentions. The reconstructed original is accompanied by a detailed critical commentary. Fingering and bowing marks have been added by no less a musician than Kim Kashkashian!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSyllabus Information:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Viola Associate List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405621649502,"sku":"HN739","price":65.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Hoffmeister-Concerto-in-D-for-Viola-and-Piano-Henle_eae41d15-b2b1-4981-b5ba-5d4f6b3cbb8b.jpg?v=1636121606"},{"product_id":"beethoven-variations-for-cello-and-piano-henle","title":"Beethoven, Complete Variations for Cello and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cspan\u003eVariations on a well-liked theme, mainly from contemporary operas, were extremely popular at the end of the 18th century. Even the young Beethoven made several contributions to this genre. We do not know of any concrete occasion for the composition of the three cycles of Variations for Violoncello and Piano – they are on two themes from Mozart’s “The Magic Flute” and one from Handel’s oratorio “Judas Maccabaeus”. The number of reproductions at that time does, however, reveal that they were very popular right from the beginning. Our revision is based on new findings contained in the Critical Report of the Beethoven Complete Edition.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eUrtext Edition, paperbound\u003c\/p\u003e\n\u003cp\u003erevised edition\u003cbr\u003ereplaces HN 5\u003cbr\u003ewith marked and unmarked string part\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405810884702,"sku":"HN913","price":80.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Beethoven-Complete-Variations-for-Cello-and-Piano-Henle_f9441ce8-6553-4e96-b4db-330f3c568a13.jpg?v=1636121641"},{"product_id":"beethoven-sonata-in-f-for-violin-henle","title":"Beethoven, Sonata in F Op. 24 Spring for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeethoven’s Spring Sonata is one of his happiest creations. Violinists and pianists alike love its truly spring-like grace, inwardness, spirit and power. Early reviewers underscored the fact that the sonata “is not at all difficult to perform and is thus recommended to a larger public.” This still applies today and raises the work to the status of one of the most popular violin sonatas of all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eGiven the name Spring Sonata only after Beethoven's death, the Violin Sonata No. 5 in F major is in four movements: Allegro, Adagio molto espressivo, Scherzo: Allegro molto, and Rondo: Allegro ma non troppo. Approx. 22 mins duration. Advanced level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNo composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 8 List C\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405622403166,"sku":"HN162","price":48.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Beethoven-Sonata-in-F-Op_-24-Spring-for-Violin-and-Piano-Henle.jpg?v=1650548735"},{"product_id":"beethoven-sonatas-for-cello-henle","title":"Beethoven, Sonatas for Cello and Piano (Henle)","description":"\u003cp\u003e\u003cspan\u003eAlongside Bach’s Solo Suites, a further highlight for cellists are Beethoven’s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven’s compositional lifetime, mirroring important stages of his musical development. Our revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition has been re-engraved, but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part, which also has excellent page turns. An unmarked Urtext part is also included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Cello Certificate of Performance List B\u003c\/li\u003e\n\u003cli\u003eAMEB Cello Associate List B\u003c\/li\u003e\n\u003cli\u003eAMEB Cello Licentiate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405622665310,"sku":"HN894","price":123.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Beethoven-Sonatas-for-Cello-and-Piano-Henle_1488c0d4-d241-4b24-928c-7bd428999ec6.jpg?v=1636121656"},{"product_id":"debussy-sonata-in-g-min-for-violin-1","title":"Debussy, Sonata in G Minor for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDebussy had intended to write a cycle comprising six sonatas. However, as he was seriously ill, he was forced to conclude it with the third one. Whereas the Sonata for Cello and Piano and the one for Flute, Viola and Harp were quickly written in 1915, an unusually fruitful compositional year, the violin sonata posed difficulties for the composer in the following year. He struggled with the finale in particular, and was only able to send the work to the publisher Durand in April 1917. Its difficult genesis is soon forgotten when one listens to the resulting work: it displays perfect classicism and is full of life, as the composer himself remarked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Associate List D\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405622763614,"sku":"HN410","price":74.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Debussy-Sonata-in-G-Minor-for-Violin-and-Piano-Henle_e332be22-46d3-4425-ae33-9c70c7474ffb.jpg?v=1636121660"},{"product_id":"schumann-fantasiestucke-op-73-for-violin-and-piano-henle","title":"Schumann, Fantasiestucke (Fantasy Pieces) Op. 73 for Violin and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.\u003c\/span\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405622829150,"sku":"HN421","price":48.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Schumann-Fantasiestucke-Fantasy-Pieces-Op_-73-for-Violin-and-Piano-Henle.jpg?v=1650548744"},{"product_id":"dvorak-romantic-pieces-op-75-for-violin-and-piano-henle","title":"Dvorak, Romantic Pieces for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAntonín Dvorák’s chamber music output comprises over forty works. That he became known so quickly beyond the borders of Bohemia was due not least to the many discerning music aficionados who enjoyed playing his works. In the 19th century, domestic music-making was everywhere, and Dvorák’s Romantic Pieces for violin and piano op. 75 were also intended for music-making in private circles. Dvorák’s autograph has served as the basis of our Urtext edition of op. 75. Its preface provides many details concerning the genesis of the work, which was originally conceived as a string trio. We were able to engage Dvorák specialist Milan Pospísil as editor of this edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSyllabus Information:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eAMEB Violin Grade 7 List C\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405623058526,"sku":"HN466","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Dvorak-Romantic-Pieces-for-Violin-and-Piano-Henle_f177ae85-da9b-45dc-af32-8df0b112f9ff.jpg?v=1636121669"},{"product_id":"mozart-duos-for-violin-and-viola-henle","title":"Mozart, Duos K423 and K424 For Violin And Viola (Henle)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter moving to Vienna in 1781, Mozart returned only once to his hometown of Salzburg, and that was from the end of July to the end of October 1783 in the company of his young wife Constaze. Just as we know little for certain about the events of those months, Mozart also seems to have composed equally little there. Just these two exquisite duos for violin and viola come from this period, and even they were apparently written as a friendly favor for Salzburg composer Michael Haydn (younger brother of Joseph Haydn), who for reasons of acute ill health was unable to complete a commissioned composition. Henle's Urtext edition is based on the carefully notated autograph manuscripts; the first edition appeared only in 1792, shortly after Mozart's death, making its value as a source debatable. In addition to a complete score of this wonderfully intimate chamber music, foldout instrumental are included, facilitating comfortable performance. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDuo (Violin and Viola), G major, KV 423 (String duos, string trios)  \u003c\/li\u003e\n\u003cli\u003eDuo (Violin and Viola), B flat major, KV 424 (String duos, string trios) \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405623353438,"sku":"HN624","price":61.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Mozart-Duos-K423-and-K424-For-Violin-And-Viola-Henle.jpg?v=1636121674"},{"product_id":"schubert-arpeggione-for-viola-henle","title":"Schubert, Arpeggione for Viola and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood intentions are simply not good enough (to freely paraphrase Kurt Tucholsky): the arpeggione, a kind of hybrid instrument like a large bowed guitar, never won acceptance among musicians. This curiosity of instrumental engineering would certainly have long since been consigned to oblivion had not Franz Schubert of all people composed his A minor sonata for it. This three-movement work is now truly immortal, but at the same time presents a problem as an Urtext because the original arpeggione part cannot be performed on those instruments that most closely approximate its sound – clearly the viola or violoncello – without some interventions in the text. G. Henle Verlag solves the dilemma on the one hand by setting the arpeggione Urtext part above the original piano part (score), and on the other by clearly denoting the few necessary octave shifts in the included instrumental parts. Out of the question for the publisher was a transcription for another instrument such as the violin (as was included in Diabelli’s posthumous first edition), flute, or other high melodic instrument, because these are simply too far removed from the sound Schubert had in mind. At best, a contrabass part might still work. Or …?\u003c\/span\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405623451742,"sku":"HN612","price":61.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Schubert-Arpeggione-for-Viola-and-Piano-Henle_7682e8b2-cf64-4652-a5e8-d9b4e7da06eb.jpg?v=1636121688"},{"product_id":"mozart-sonata-in-e-minor-for-violin-henle","title":"Mozart, Sonata in E Minor K. 304 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesides being Mozart’s most popular and frequently played violin sonata, it is also the only one set in a minor key. He wrote it in Mannheim and Paris in 1778 along with a few other sonatas, choosing a somewhat unusual two-movement layout. As all lovers of domestic music-making know, this profound and beautiful piece is not all that difficult to play. Our edition is extracted from volume 1 of the complete violin sonatas and includes a preface and the requisite critical commentary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSyllabus Information:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- AMEB Violin Grade 6 List B\u003c\/span\u003e\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405624139870,"sku":"HN728","price":32.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Mozart-Sonata-in-E-Minor-K_-304-for-Violin-and-Piano-Henle.jpg?v=1650548750"},{"product_id":"bruch-concerto-no-1-in-g-minor-for-violin-henle","title":"Bruch, Concerto No. 1 in G minor Op. 26 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto in g minor. Now it’s appearing at last in an urtext edition from Henle. Bruch himself was not always overjoyed at his work’s popularity: \"I can’t listen to this concerto anymore,\" he once complained to his publisher Simrock, \"do you suppose I’ve only written one concerto?\" By now the Bruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part, but a preface that alone is worth the price of the volume: who could have guessed that the concerto went through a convoluted genesis with multi-layered revisions, and that some of the changes go back to the famous violinist Joseph Joachim?\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMichael Kube\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Editor)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eJohannes Umbreit\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Piano reduction)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eKurt Guntner\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Fingering and bowing for Violin)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMax Bruch was a German composer of the Romantic period. Stylistically, his works outline a counter-aesthetic to the New German School. His violin concerti are particularly significant, but he also wrote numerous choral works, cantatas, oratorios, songs, stage works and orchestral pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Licentiate List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405655138398,"sku":"HN708","price":80.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Bruch-Concerto-No_-1-in-G-minor-Op_-26-for-Violin-and-Piano-Henle.jpg?v=1650549407"},{"product_id":"schumann-5-pieces-in-folk-style-for-cello-henle","title":"Schumann, 5 Pieces in Folk Style Op. 102 for Cello and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlthough Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived as original works for the cello. Clara was delighted with them: “These are pieces in folk style with such a freshness and originality that I was enchanted”. The “Neue Zeitschrift für Musik” wrote: “These pieces are less apt for a virtuoso player than a well versed one who can speak on his instrument with tone and meaning.” Our edition, in the best Urtext quality, is particularly to be recommended for teaching purposes and for making music at home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConnected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Cello Licentiate List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405660086366,"sku":"HN910","price":61.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Schumann-5-Pieces-in-Folk-Style-Op_-102-for-Cello-and-Piano-Henle.jpg?v=1650549504"},{"product_id":"handel-7-sonatas-for-violin-henle","title":"Handel, 7 Sonatas for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeorge Frideric Handel, who introduced several innovations in his vocal works, was quite conservative in his instrumental music. At the same time, he also created works of the highest quality in this field – such as, for example, for the violin. His seven violin sonatas were not conceived as an interconnected whole, but composed at different times. As fully-formed thoroughbass sonatas, they breathe vitality and freshness, and offer a wealth of melodies typical of this composer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eContents: \u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSonata for Violin and Basso Continuo A major op. 1,3 HWV 361\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eViolin\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003emedium\u003cbr\u003eABRSM:\u003cspan\u003e \u003c\/span\u003eViolin Grade 7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSonata for Violin and Basso Continuo g minor op. 1,10 HWV 368\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eViolin\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eeasy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"3\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSonata for Violin and Basso Continuo F major op. 1,12 HWV 370\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eViolin\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eeasy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"4\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSonata for Violin and Basso Continuo D major op. 1,13 HWV 371\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eViolin\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003emedium\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"5\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSonata for Violin and Basso Continuo A major op. 1,14 HWV 372\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eViolin\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003emedium\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"6\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSonata for Violin and Basso Continuo E major op. 1,15 HWV 373\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eViolin\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eeasy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-item=\"6\" class=\"content-item\"\u003e\n\u003cli class=\"column-title\"\u003eSonata for Violin and Basso Continuo g minor op. 1,6 HWV 364a\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eViolin\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eeasy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 6 List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405671489630,"sku":"HN191","price":114.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Handel-7-Sonatas-for-Violin-and-Piano-Henle_6f7f5365-d5fe-4a09-8023-2b55c9ff578f.jpg?v=1636124130"},{"product_id":"mendelssohn-variations-op-17-and-other-pieces-for-cello-henle","title":"Mendelssohn, Variations Op. 17 and Other Pieces for Cello and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBesides two genuine cello \"hits\" from the pen of Felix Mendelssohn Bartholdy -- the \"Variations op. 17\" and the \"Song without Words op. 109\" -- this urtext edition contains a little sensation: the publication of a delightful and previously unknown original piece for cello and piano. Mendelssohn wrote it down in the album of his friend, the distinguished cellist Julius Rietz, in 1835 while at the pinnacle of his creative powers. All cellists will be happy to welcome this \"Album Leaf\" into their repertoire.\u003c\/span\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405671587934,"sku":"HN669","price":80.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Mendelssohn-Variations-Op_-17-and-Other-Pieces-for-Cello-and-Piano-Henle.jpg?v=1650549598"},{"product_id":"paganini-caprices-for-violin-henle","title":"Paganini, 24 Caprices Op. 1 for Violin (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the era before Paganini, a brilliant solo cadenza in a sonata or concerto movement for violin was called a “capriccio”. Practice pieces for string instruments were also given this generic name. The merging of the concertante cadenza form with that of the technical etude was one of Nicolò Paganini’s greatest creative achievements. With his op. 1 Capriccios Paganini opened up a new musical dimension in the genre. They seem improvised, overflow with melodic abundance and are of a clear, spirited design. This Urtext edition is based entirely on Paganini’s autograph, since the first edition contains numerous errors and was probably not proofread by the composer. Renato De Barbieri’s performance instructions in our version evolved during many years of concert experience and an in-depth study of the autograph. With this and the informative preface, the violinist is offered an edition that the work has long deserved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eErnst Herttrich\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Editor)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eRenato De Barbieri\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Editor, Fingering and bowing for Violin)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eAlberto Cantù\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Editor)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eUrtext Edition, paperbound\u003c\/li\u003e\n\u003cli\u003ewith marked and unmarked string parts\u003c\/li\u003e\n\u003cli\u003e162 pages\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eViolin virtuoso and composer of violin music of a unique and virtuosic character. He composed numerous works for violin and orchestra, pieces for solo violin, and chamber music for violin and guitar, as well as other chamber works. In pieces for the G string, like his Sonata Napoleone and Sonata Militare, he experiments with tone colors (harmonics and pizzicato for the left hand).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Licentiate List A\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405671653470,"sku":"HN450","price":131.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Paganini-24-Caprices-Op_-1-for-Violin-Henle.jpg?v=1650549604"},{"product_id":"piatti-12-caprices-op-25-for-cello-henle","title":"Piatti, 12 Caprices Op. 25 for Cello (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePiatti’s Twelve Caprices, op. 25, are the daily bread of all advanced players of the cello: Sir Yehudi Menuhin mentioned them in the same breath with the Bach Suites. Now Henle is presenting the very first urtext edition of this opus, with information on sources and alternative readings and with fold-out pages to solve the previously knotty problem of page turns.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePiatti was an Italian cellist and composer. Described by Franz Liszt as the “Paganini of the cello,” he was among the most sought-after virtuosos on his instrument. Compositionally he devoted himself primarily to the cello, for which he wrote concerti, solo pieces, sonatas, and transcriptions of popular works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Cello Certificate of Performance List A\u003c\/li\u003e\n\u003cli\u003eAMEB Cello Associate List A\u003c\/li\u003e\n\u003cli\u003eAMEB Cello Licentiate List A\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405671719006,"sku":"HN746","price":79.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Piatti-12-Caprices-Op_-25-for-Cello-Henle.jpg?v=1650549614"},{"product_id":"mozart-concerto-no-1-in-b-flat-for-violin-henle","title":"Mozart, Concerto No. 1 in B flat K. 207 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is not only Mozart’s first concerto for the violin but his first concerto altogether. He composed it at the age of 17, writing it in Salzburg in 1773 two years before his other four violin concertos. And what a concerto it is! This new publication completes Henle’s series of Mozart‘s violin concertos and single movements, all of which are now available in exemplary urtext editions with easy-to-play piano reductions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 7 List B \u003c\/li\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405680042078,"sku":"HN706","price":57.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Mozart-Concerto-No_-1-in-B-flat-K_-207-for-Violin-and-Piano-Henle.jpg?v=1650549750"},{"product_id":"haydn-concerto-in-c-for-violin-and-piano-henle","title":"Haydn, Concerto No. 1 in C for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHaydn’s concertante works written at the court of the Princes of Esterházy, reflect the skills of individual members of the Esterhazy court orchestra. Thus Haydn created the Violin Concerto in C major Hob. Vlla:1 for the court orchestra’s concertmaster, Luigi Tomasini, a famous violinist of the day and a himself a composer. Tomasini must have inspired Haydn to the technical brilliance and the lovely, Italian tone that resonates through this still quasi-Baroque concerto. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verlag. In the detailed preface one can read about which sources were consulted for the edition, which is rounded off by sophisticated string bowings and fingerings by Kurt Guntner, and by cadenzas created by Franz Beyer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Associate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405828776030,"sku":"HN446","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Haydn-Concerto-in-C-No_-1-for-Violin-and-Piano-Henle.jpg?v=1650549773"},{"product_id":"dragonetti-12-waltzes-for-solo-double-bass-henle","title":"Dragonetti, 12 Waltzes for Solo Double Bass (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe have uncovered a true delight for double bass players: a collection of twelve stylized waltzes by Beethoven’s contemporary Domenico Dragonetti. The “Paganini of the double bass” grew up in Venice, but moved to London as an adult. It is there that he probably wrote the twelve waltzes. They are quite likely the earliest surviving works for double bass solo. These charming pieces have until now not been published in their entirety. Despite their virtuosic impression, the technical hurdles can be comfortably mastered; the pieces are therefore not only suited for the concert hall but are also perfect encores. Our quality Urtext edition, is thus able to fill a true gap in the repertoire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSyllabus Information:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAMEB Double Bass Grade 6 List A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAMEB Double Bass Grade 7 List A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAMEB Double Bass Grade 8 List A\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405682761822,"sku":"HN847","price":35.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Dragonetti-12-Waltzes-for-Solo-Double-Bass-Henle_10bde8b1-52fb-4122-a177-45a5c5e4023e.jpg?v=1636124761"},{"product_id":"grieg-violin-sonata-c-min-op-45-henle","title":"Grieg, Sonata in C Minor Op. 45 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrieg’s Third Violin Sonata is one of his major creations and stands alongside the sonatas of Johannes Brahms and César Franck at the pinnacle of late nineteenth century chamber music. One small measure of the work’s renown is its occurrence in Thomas Mann’s novel \"Doktor Faustus\". The sonata has been growing more popular ever since its first publication, and it is now high time for it to appear in an urtext edition from Henle. A preface and detailed editorial notes provide interesting background material on the work’s source tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Licentiate List B\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405692657758,"sku":"hn700","price":83.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Grieg-Sonata-in-C-Minor-Op_-45-for-Violin-and-Piano-Henle.jpg?v=1650550017"},{"product_id":"faure-elegie-op-24-for-cello-and-piano-henle","title":"Faure, Elegie Op. 24 for Cello and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFollowing the enthusiastic reception of his first Violin Sonata (HN 980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as the slow movement for a sonata. However, Fauré gave up the sonata project, instead publishing the piece under the title “Élégie”. It was so successful that Fauré was urged by the publisher to write further pieces. The conductor Édouard Colonne commissioned a version of the “Élégie” for orchestra in 1895, which was premièred two years later. As usual, our Urtext edition contains both a marked and an unmarked solo part.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Cello Grade 8 List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405693509726,"sku":"HN563","price":32.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Faure-Elegie-Op_-24-for-Cello-and-Piano-Henle.jpg?v=1650550025"},{"product_id":"allegro-appasionato-for-cello-and-piano","title":"Saint Saens, Allegro Appassionato Op. 43 for Cello and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cello concerto. It was presumably directly after this that he wrote the “Allegro appassionato” for Cello and Piano op. 43 that also appeared in a version for orchestra three years later. We do not know why he wrote the work, but it is likely that after having written two weighty works for cello, Saint-Saëns wanted to write something “easier” that was also suitable as an encore. David Geringas kindly provided the fingering and bowing for the brilliant cello part.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Cello Grade 7 List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405706879070,"sku":"HN1227","price":35.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Saint-Saens-Allegro-Appassionato-Op_-43-for-Cello-and-Piano-Henle.jpg?v=1650550151"},{"product_id":"brahms-sonata-no-2-in-e-flat-op-120-for-viola-and-piano-henle","title":"Brahms, Sonata No. 2 in E flat Op. 120 for Viola and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and the Sonatas op. 120 – three gems in the clarinet chamber music repertoire. Brahms also provided a part for viola as an alternative to the clarinet. The revision of our edition of the viola version of opus 120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: we were able to consult the autograph for the first time; the newly set piano score now contains the viola part; and viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Viola Licentiate List B\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405841358942,"sku":"HN988","price":89.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Brahms-Sonata-No_-2-in-E-flat-Op_-120-for-Viola-and-Piano-Henle.jpg?v=1650550157"},{"product_id":"elgar-salut-damour-op-12-for-violin-and-piano-henle","title":"Elgar, Salut D'Amour Op. 12 for Violin and Piano (Henle)","description":"\u003cp\u003eEdward Elgar’s Salut d’amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. Notes in the surviving autographs for the versions for Violin and Piano (HN 1188), Violoncello and Piano (HN 1189) and Piano solo show that Elgar had intended making arrangements for numerous scorings – but only the three named versions were authorised through original manuscripts. Amongst these the piano version has a special significance: Caroline Alice Roberts was a piano pupil of Elgar’s and thus the composer might have rewritten the original for violin and piano for his fiancée and later wife. Alongside the first print, we have also evaluated Elgar’s autograph engraver’s copy for the first time.\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 5 List C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405708484702,"sku":"HN1188","price":32.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Elgar-Salut-DAmour-Op_-12-for-Violin-and-Piano-Henle.jpg?v=1650550167"},{"product_id":"ravel-tzigane-for-violin-and-piano-henle","title":"Ravel, Tzigane for Violin and Piano (Henle)","description":"\u003cp\u003e“Virtuoso piece in the style of a Hungarian rhapsody” thus reads Ravel's entry on “Tzigane” in the so-called “Autobiographical Sketch”. Composed in 1924, there are three versions of this work: with piano, with orchestra and with luthéal, a device for keyboard instruments to extend the timbre. “Tzigane” was inspired by the Hungarian-English violinist Jelly d'Aranyi, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt's “Hungarian Rhapsodies”. Work progressed slowly and Aranyi only received the music four days before the première but she still gave a brilliant performance.\u003c\/p\u003e\n\u003cp\u003e Syllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAMEB Violin Licentiate List D\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405841555550,"sku":"HN587","price":79.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Ravel-Tzigane-for-Violin-and-Piano-Henle_927feeb0-f3f4-4bcb-84ad-1cd0b7d076d6.jpg?v=1636125970"},{"product_id":"faure-sicilienne-op-78-for-cello-and-piano-henle","title":"Faure, Sicilienne Op. 78 for Cello and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré’s middle creative period and was first published simultaneously in France and England in 1898, reflecting Fauré’s increasing international popularity. The character piece with its memorable, expressive melody became increasingly popular after Fauré had included it in the Suite from his incidental music of Pelléas et Mélisande (in a version for orchestra) that was also premiered in 1898.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCornelia Nöckel \u003cspan class=\"role\"\u003e(Editor).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405844832350,"sku":"HN1019","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Faure-Sicilienne-Op_-78-for-Cello-and-Piano-Henle.jpg?v=1650550245"},{"product_id":"elgar-salut-damour-op-12-for-cello-and-piano-henle","title":"Elgar, Salut D'Amour Op. 12 for Cello and Piano (Henle)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eEdward Elgar’s Salut d’amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements – but the only versions for which the autograph manuscripts survive are those for Violin and Piano (HN 1188), Piano solo (HN 1190) and Violoncello and Piano. Up to now there has only been an arrangement of the cello part made by the original publisher, presumably with Elgar’s approval. We are now for the very first time publishing the version following Elgar’s autograph manuscript, which for unknown reasons had never been released. In addition we are publishing the trusted musical text from the first edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eRupert Marshall-Luck\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Editor)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRolf Koenen\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.henle.de\/en\/about-us\/contributors\/claus-kanngiesser\/\"\u003eClaus Kanngiesser\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"role\"\u003e(Fingering and bowing for Violoncello)\u003c\/span\u003e\u003c\/p\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405720379486,"sku":"HN1189","price":32.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Elgar-Salut-DAmour-Op_-12-for-Cello-and-Piano-Henle.jpg?v=1650550249"},{"product_id":"saint-saens-concerto-no-1-in-a-minor-op-33-for-cello-and-piano-henle","title":"Saint Saens, Concerto in A Minor Op. 33 No. 1  for Cello and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe a-minor Concerto, is a true gem in the repertoire of great cello music. David Geringas provided the fingerings for this Urtext edition for which editor Peter Jost supplied a detailed preface. Johannes Umbreit has revised the composer's highly playable piano reduction to suit the needs of today's performers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSaint-Saëns was one of the most multifaceted musicians of the second half of the nineteenth century in France. Regarded as a Classicist, he also wrote pieces with an Impressionist character to their sound, and one composition in quarter-tones. As a critic and essayist he was involved in the first complete editions of Rameau’s and Gluck’s works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSyllabus Information:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAMEB Cello Associate List C\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405744201822,"sku":"HN711","price":97.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Saint-Saens-Concerto-in-A-Minor-Op_-33-No_-1-for-Cello-and-Piano-Henle.jpg?v=1650550424"},{"product_id":"dvorak-sonatina-in-g-op-100-for-violin-and-piano-henle","title":"Dvorak, Sonatina in G Op. 100 for Violin and Piano (Henle)","description":"D\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003evorák’s famous Symphony from the New World abounds in melodic turns and phrases that call up the atmosphere of “Indian melodies” and spirituals. Among them are pentatonic (five-tone) tunes, and syncopated rhythms. Tender melodies from this same sound-world also reside in this Sonatina for violin and piano op. 100, written during his first residency in America between 1892 and 1894, transforming the four-movement Sonatina into a charming chamber-music piece. Dvorák dedicated the work to his children Otilie (aged 15) and Antonin (10), and it is in keeping with the abilities of the young pianist daughter and little violinist son. Nevertheless, Dvorák writes: “grown-up adults should also be able to take enjoyment in these pieces in the same way that they can”. The carefully-prepared Henle Urtext edition boasts an extensive preface concerning the source materials, and is based on the autograph and the first edition published by Simrock.\u003c\/span\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405747413086,"sku":"HN413","price":49.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Dvorak-Sonatina-in-G-Op_-100-for-Violin-and-Piano-Henle.jpg?v=1650550466"},{"product_id":"bach-3-sonatas-bwv1014-1016-for-violin-and-piano-henle","title":"Bach, J.S., 3 Sonatas BWV 1014-1016 for Violin and Piano (Henle)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs Court Music Director in Cöthen, Johann Sebastian Bach devoted himself primarily to instrumental music. Among the works written there were his Sonatas for violin and obbligato harpsichord BWV 1014–1019, which have come down to us as a complete cycle. The violinist and harpsichordist\/pianist are equally challenged here, and the sonatas – together with Bach’s flute and viola da gamba sonatas – lay the foundation for the duo sonata in the modern sense, as the usual accompanying function of the basso continuo yields to an independent keyboard part that lends each sonata an individual profile. Our edition is largely based on the manuscript copies made by Bach’s son-in-law Altnickol, supplemented by further sources. Additional text-critical comments round off this valuable Urtext edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eContents: \u003c\/p\u003e\n\u003cul data-item=\"2\" class=\"content-item\"\u003e\n\u003cli\u003eViolin Sonata b minor BWV 1014\u003c\/li\u003e\n\u003cli\u003eViolin Sonata A major BWV 1015\u003c\/li\u003e\n\u003cli class=\"column-title\"\u003eViolin Sonata E major BWV 1016\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eJohann Sebastian Bach, composer of the Baroque era, the most celebrated member of a large family of north German musicians. Although he was admired by his contemporaries primarily as an outstanding harpsichordist, organist, and expert on organ building, Bach is now generally regarded as one of the greatest composers of all time and is celebrated as the creator of the Brandenburg Concertos, The Well-Tempered Clavier, the Mass in B Minor, and numerous other masterpieces of church and instrumental music.\u003c\/p\u003e\n\u003cp\u003eSyllabus Information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAMEB Violin Grade 8 List B \u003c\/li\u003e\n\u003cli\u003eAMEB Violin Certificate of Performance List B\u003c\/li\u003e\n\u003cli\u003eAMEB Violin Associate List A\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henle","offers":[{"title":"Default Title","offer_id":29405758554206,"sku":"HN198","price":96.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/products\/Bach-J_S_-3-Sonatas-BWV-1014-1016-for-Violin-and-Piano-Henle.jpg?v=1650550555"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0014\/2521\/1486\/collections\/18d6094c3a00363bfa63e5e50fba49cf_f7e1692e-7aed-4ebc-8eff-eaf7a8b83c2f.jpg?v=1636961357","url":"https:\/\/www.simplyforstrings.com.au\/collections\/g-henle-verlag.oembed?page=6","provider":"Simply for Strings","version":"1.0","type":"link"}