Sound Profiles
Functionality (Orchestral > Solo)
  • We asked: is the instrument better for ensemble playing or best for solo performance?
  • We took turns playing and listening to decide whether the instrument was more well-suited to blending with others, or if it is more likely to stand out.
  • Some instruments may sound sweet under your ear, but can get “lost” from an audience’s perspective.
    • These may work better for fitting into an ensemble.
    • The sound could be really attractive, but rather introverted.
    • When we play in larger groups it’s about the overall sound.
    • Individual instruments don’t need to stand out: have you ever listened to a choir where somebody’s voice cuts through and dominates unpleasantly?
  • Others might sound less pleasant under your ear, but the sound carries clearly to your listeners.
    • These can lend themselves best to solo performance or playing in a trio/quartet situation where you really need to be able to make yourself heard more distinctly.
    • We might say these are more extroverted.
General tone (Bass > Treble)
  • Bassy character or treble (ie, deeper or brighter tone)
  • Sometimes we say an instrument is “warmer” (more bass) or brighter (more treble).
  • It may be a violin that sounds almost “viola-ish” so we lean more towards “bass” on the scale.
  • A cello could be very bright and not as ‘boomy’ or big sounding on the lower strings, so we count it as more “treble” in character.
    • The standard Stradivari pattern gives the most characteristic violin/viola/cello family sound.
    • It’s quite bright and speaks out well as an instrument designed to dominate the room.
Depth of sound (Rich & Textured > Direct & Clear)
  • We asked if an instrument had more complex tones or if it was more outspoken and direct.
  • Some instruments will have a real richness in the overtones, giving a great sense of interest when we try them.
    • They probably will be slightly more introspective as well, but we can find this “depth” even in a solo instrument.
    • A good example of this is found in the Guarneri violin design, which offers a rich and intriguing character, yet we find lends itself well to solo performance.
    • The Stradivari pattern has a great blend of beautiful tone and brightness. It is brighter and clearer than the other popular designs.
Important notes regarding our sound profile
  • With every model we judged the instrument itself, not comparing it to any other instrument or price range.
  • Therefore, a $300 violin is assessed via our 3 categories based on its own voice and not compared with say, a $3000 violin.
  • It is our hope that our Sound Profile can help you find the type of voice you’re seeking, whether the instrument range is beginner, intermediate or beyond.
  • Our advice if you’re searching on our website is to filter by your preferred price range / performance level and select those instruments that suit the general character you desire.
  • This should reduce the wide number of options, helping narrow selection down to two or three instruments, making your trial process less complicated and less stressful!
String Instrument Sizing Guide
This guide is intended to give you a rough idea of the size of instrument your or your child will require. Please note that this is a rough guide only. For best results, you should consult with our string experts or your teacher before purchasing or renting.
THIS IS A GENERAL GUIDE ONLY
One of the most important tasks we find ourselves undertaking at Simply for Strings is to size a student for their instrument. Whilst we always check sizing when you purchase an instrument, it is also important to talk to your teacher first about their thoughts on the appropriate size instrument. It is important to remember that we always err on the side of caution when it comes to instrument sizing. Unlike clothes, you cannot ‘grow into’ an instrument. If the instrument is too large then you will find yourself in severe pain when practising or performing. This often leads to a decrease in practice (and interest), which inevitably leads to the player choosing to forgo learning an instrument. Play pain-free and start with the right size violin, viola, cello or double bass from Simply for Strings.

Measuring Guide for Violin & Viola

Measure in centimeters from the neck to the middle of the palm.

SIZING FOR VIOLINS

Directions for Measuring: With the player’s arm fully extended and parallel to the floor, measure in centimetres from the neck to the middle of the palm.

SIZE OF VIOLIN MEASUREMENT (CM) AVERAGE AGE OF CHILD
1/16 35 - 38 CM 3 - 4 YRS
1/10 39 - 42 CM 4 - 5 YRS
1/8 43 - 46 CM 5 - 6 YRS
1/4 47 - 51 CM 6 -7 YRS
1/2 52 - 56 CM 7 - 8 YRS
3/4 57 - 60 CM 9 - 11 YRS
4/4 > 60 CM 11 - 13+ YRS
SIZING FOR VIOLAS

Directions for Measuring: With the player’s arm fully extended and parallel to the floor, measure in centimetres from the neck to the middle of the palm.

SIZE OF VIOLIA MEASUREMENT (CM)
12" 53 - 55 CM
13" 55 - 59 CM
14" 59 - 63 CM
15" 63 - 65 CM
15" 1/2 65 - 67 CM
16" >67 CM
SIZING FOR CELLOS

Directions for Measuring: Sizing cellos is slightly more complicated than sizing violins and violas. The student should be seated at the edge of a chair such that the knees are bent at a ninety-degree angle (feet flat on the floor). The upper edge (back of cello near where the neck joins the body) of the instrument should rest in the centre of the chest (on the sternum) and the C peg should be slightly behind the left ear. The knees should lightly grip the lower bouts ensuring that the corners do not dig into the side of legs. (Corners should be slightly above the inside of the knees). The student should be able to reach both ends of the fingerboard with ease. The chart below shows approximate sizing by age.

Note: 7/8 size cellos are available as well. This can be a useful transitional size or a more comfortable option for those players who prefer a slightly smaller instrument.

SIZE OF CELLO AGE OF CHILD
1/10 4 - 5 YRS
1/8 5 - 6 YRS
1/4 6 - 8 YRS
1/2 8 - 10 YRS
3/4 10 - 12 YRS
4/4 12 - 13+ YRS
SIZING FOR DOUBLE BASSES

Directions for Measuring: The 3/4 size double bass is the standard size for adults. 7/8 size basses and 4/4 sizes basses are made but they are less commonly used. As a rough guideline, when both the bass and the player are standing upright, the bridge should be approximately at the same height as the large knuckles of the student's right hand. The most important issue is that the instrument is comfortable and that the student can reach the higher registers of the fingerboard without difficulty.
The chart below shows approximate sizing by age.

SIZE OF BASS AGE OF CHILD
1/16 3 - 4 YRS
1/10 4 - 5 YRS
1/8 5 - 7 YRS
1/4 7 - 9 YRS
1/2 9 - 13 YRS
3/4 13+ YRS

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Compatible Christmas Duets for Cello (Fischer)

SAVE 15% OFF AT CHECKOUT* NOV 20-29th
*excludes strings & some brands (click for details)

Regular price
$29.00
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$29.00
4 interest-free payments of $7.25
12 interest-free payments of $2.41
SKU:BF91

The intention of Compatible Christmas Duets For Strings is to provide instrument players the opportunity to play fifty popular Christmas carols in arrangements for two instruments.

These duets will work with any combination of any two instruments, so you can play carols with your friends no matter what instrument they play. There are endless possibilities for using duet combinations for fun and entertainment around the holidays. You can play for family, friends, or in a concert setting.

Compatible Christmas Duets For Strings provides you with interesting and playable arrangements. It can also help to make practice time fun around the holidays and can be used with friends and teachers as well. One of the best ways to improve as a player is to play in small chamber groups and duets are the easiest way to get started. Playing duets with others of similar ability levels or even of greater ability will help to stimulate the growth of your playing.

Contents:

  • Angels From The Realms Of Glory [Smart, Henry] 
  • Angels We Have Heard On High 
  • As Lately We Watched 
  • Auld Lang Syne 
  • Away in a Manger (I) [Murray, James.R] 
  • Away in a Manger (II) [Kirkpatrick, William James] 
  • Bring a Torch Jeannette, Isabella 
  • Bright And Joyful Is The Morn 
  • Carol of the Bells [Wilhousky, Peter] 
  • Christmas Greeting
  •  Come, All Ye Shepherds 
  • Coventry Carol 
  • Deck The Halls 
  • El Rorro (The Baby) 
  • First Noel, the 
  • English Carol 
  • Gesu Bambino (Infant Jesus) 
  • Go Tell It On The Mountain 
  • God Rest Ye Merry, Gentlemen 
  • Good Christian Men, Rejoice 
  • Good King Wenceslas 
  • Hark! The Herald Angels Sing 
  • He Is Born, This Holy Child 
  • Here We Come A-wassailing 
  • Holly And The Ivy, The 
  • I Saw Three Ships 
  • Jesu, Joy Of Man's Desiring [Bach, Johann Sebastian] 
  • Jingle Bells [Pierpont, James] 
  • Jolly Old St. Nicholas 
  • Joy To The World [Handel, George Frideric]
  •  Lullaby Carol 
  • March from The Nutcracker Suite [Tchaikovsky, Peter Ilyich] 
  • In A Manger He Is Lying 
  • It Came upon a Midnight Clear [Willis, Richard S.]
  •  March of the Toys [Herbert, Victor] 
  • O Christmas Tree 
  • O Come, All Ye Faithful [Wade, John Francis] 
  • O Come Little Children [Schulz, Johann] 
  • O Come, 0 Come, Emmanuel 
  • O Holy Night [Adam, Adolphe] 
  • O Little Town of Bethlehem [Redner, Louis H.] 
  • Patapan 
  • Rise Up Shepherd, and Follow 
  • Search for an Inn, The (Pedida de la Posada)
  •  Silent Night [Gruber, Franz] 
  • Toyland [Herbert, Victor] 
  • Up on the Housetop [Hanby, Benjamin Russell] 
  • We Three Kings [Hopkins, John H.] 
  • We Wish You A Merry Christmas 
  • What Child Is This? 
  • While Shepherds Watch Their Flock by Night [Handel, George Frideric]
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